合作單位 COLLABORATION:

 

 

主辦單位ORGANIZER:

 

The art shelter and cinema/ A.S.C.

http://ascjoin.wix.com/ascool

The Art Shelter and Cinema 是一個當代媒體影音平台,尤其是針對新興和新世代的創作者而立。 A.S.C.將挑著戰實驗與創造力來與觀者分享。 鼓勵激進的藝術與文化透過交流、展覽、活動等,試圖突破社會和政治困境同時也提出另類的視野與大膽的想像。

每年透過舉辦國際藝術節交流活動例如:OSMOSIS Audiovisual Media festival-滲透影音媒體藝術節,邀請各國不同的國際藝術節、藝術單位、策展人、藝術家前來,透過當代影像、聲音、互動、多媒體、科技等藝術合作交流,並串聯台灣各地的藝術單位、藝術家、策展人等在各類型空間舉辦放映會、現場表演、展覽、座談等活動,同時推廣台灣年輕藝術家至各種新型態國際交流管道,除了邀請各個國際單位節目呈現外,也會將藝術節中的台灣節目推廣至各個國際合作單位, 至今持續發展中。

過去的合作交流記錄包括: 龐畢度東京Hors Pistes Tokyo film festival 前衛影像藝術節、日本東京跨領域藝術節 Interdisciplinary Art Festival Tokyo、上海N分鐘錄像藝術節-上海CAC新時線媒體藝術中心、上海21世紀民生美術館、韓國首爾MMCA現代美術館高陽區- 亞洲實驗電影與行為藝術專題展、韓國光州ACC亞洲藝術中心 ASIA ART SPACE NETWORK、首爾EXIS 實驗影展、首爾Yogiga藝術空間、首爾電影實驗室Hand-made Film Lab SPACE CELL、首爾視聽館 Audio Visual Pavilion、首爾1號空間Space One、韓國石蕊社區藝術空間、新加坡藝術村(TAV)、新加坡LASALLE 藝術學院、英國倫敦影像俱樂部Videoclub、馬德里當帶影音科技藝術節、法國Le Gran Lux、Ker*當代藝術空間、台北明日音樂祭、失聲祭、大稻埕藝術節、打開當代、空場、思劇場、白舍藝術、新竹江山藝改所、台中自由人藝術空間、高雄in89駁二電影院、高雄LIVE WAREHOUSE、正港小劇場、院子劇場、駁二藝術特區等地舉辦。

The ART SHELTER AND CINEMA is a contemporary media platform especially aimed at emerging artists and new generation. The ASC challenges experimentation, creativity and exchange with visitors. The ASC encourages radical art and culture via communications, exhibitions and events to break through the social and political predicament as well as makes alternative visions and bold imagination. 

 

合辦單位CO - ORGANIZER:

 

台灣電力公司/ Taiwan Power Company

http://www.taipower.com.tw/e_content/index.aspx

台電板橋新民大樓1, 2 樓與台電公館大樓副樓展廳,為本次活動空間與2樓視聽室空間呈現放映、展覽、座談等相關節目。

tamtamART TAIWAN

BERLIN tamtamART 柏林台灣藝術協會,成立於2009年初,致力推廣台灣藝術在柏林的國際文化交流,四年的柏林在地耕耘,邀請眾多台灣藝術家及作品至柏林展演交流。為積極增加其能見度,團隊多次與大小知名藝術空間合作,並參與柏林當地大型主題性展演和策展,藉由如此的協辦合作,開通國際間的交流管道、產生更深入的聯結。2013年春夏之際,tamtamART與鏡花園IPIX 跨界合作,於台北市中心成立tamtamART TAIPEI .IPIX 藝術空間,2017於高雄成立tamtamART TAIWAN,此空間與團體欲匯集各領域、跨學科之藝術家及其創作,提供一個實驗性的當代藝術空間 ; 致力提供各類型、各媒材藝術家實驗性展演。更不定期舉辦座談、表演、研討會。 同時也與BERLIN tamtamART 柏林台灣藝術協會搭起跨國橋梁,提供柏林及台灣藝術家甚至兩城市民眾豐富的交流平台。

水谷藝術/ Waley Art

http://waleyart.wix.com/website

水谷藝術位於台灣台北市,是一結合年輕策展人及藝術家組成之替代空間,地上五層樓地下一層樓,每層樓有不同的空間風格與適合的展覽調性。自2014年8月成立以來,展出平面、錄像、裝置、行為、雕塑等以視覺藝術為基礎的展演。2015年下半年規畫於空間內部增加藝術家駐村的項目,並期許提供文化發展與藝術創作的持續對話。除了空間內部展覽外,水谷藝術長期以來關注南萬華加蚋仔的文化歷史,並偕同藝術家與社造團體進行藝術行動與計畫,開啟舊城區與社區居民之藝術對話可能。

WaleyArt is located in Taipei Taiwan, which is an alternative space consisting of young artists and curators. WaleyArt including five storeys above ground and one basement floor. Each floor is in a different style, can be appropriate for a different kind of exhibition. Since the establishment in August 2014, WaleyArt has present graphic arts, video art, installation, performance art, sculpture and other visual arts. From the second half of 2015, we plan to start the artist-in-residence program to provide a field for artistic conversation. In addition, to run the exhibition space, WaleyArt also focus on the local culture and history of Galaya--the area in the south of WanHuaDistrict, Taipei city, in which WaleyArt is located in. We actively set up events with artists and community planners to make positive impacts on Galaya.

合作單位 NATIONAL COLLABORATION:

 

孫運璿科技‧人文紀念館/ Sun Yun-Suan Memorial Museum

http://www.sysmm.org/

坐落於台北城南的「孫運璿科技˙人文紀念館」,是孫運璿先生任行政院長時的宅邸,運璿先生於1980年遷入,至2006年辭世,在此共居住26年之久。因此宅邸表現1920年代極為流行的和、洋式混合建築特色,2006年經臺北市政府文化局指定為市定古蹟,並委託孫運璿學術基金會進行研究、規劃、經營管理,期讓古蹟充分再利用。紀念館佔地約866坪,其中150坪的西式與日式古蹟建物,分別展示台灣經濟發展之風華與歲月,以及運璿先生個人生活之點滴。位於二樓的特展空間,則以科技、人文為主要方向,不定期更換展覽內容。環抱著建物的庭園中,有運璿先生最愛的魚池,也有夫人親手栽種的桂花,還有列入保護的高齡老樹,與西側植物園遙相呼應。新建完成的服務空間,可休憩也可活動,各式演講、表演、課程,將在此輪番演繹科技與藝術、人文、生活的精采結合。

Nestled in the south of Taipei city, Sun Yun-Suan Memorial Museum used to be the residence of Sun Yun-Suan during his tenure as the Premier of Taiwan. He moved into this residence in 1980 and stayed for 26 years until he passed away in 2006. 
It was on these premises that Premier Sun conceived important national policies and formulated implementation guidelines. To commemorate his contribution to Taiwan and to preserve the unique occidental-oriental architectural style of the 1920s, the Department of Cultural Affairs of the Taipei City Government designated this residence to be a Municipal Historic Site in 2006. The Sun Yun-Suan Foundation is responsible for planning and managing the Museum as well as exploring ways to make the best use of the historic site.

The museum, stretching over 866 pings (almost 2800 m2), comprises houses of mixed occidental and oriental architectural styles, an annex and a garden. The permanent exhibition depicts blooming years and arduous times of Taiwan’s economic development and portrays moments of Sun’s personal life with narratives, snapshots, and artifacts. The thematic exhibition presents temporary exhibits related to science, technology and humanities. The annex, featuring a shed roof in line with the tiled gable top of the historic buildings, offers venues for cultural exchange through talks and seminars, performances and classes. Enveloping the premises is a garden with Sun’s favorite fish pond and towering old trees among fragrant osmanthus planted by Mrs. Sun. 
In addition to highlighting Sun’s exemplary dedication and devotion, the memorial museum also serves as a recreational place for leisurely rest and organized events, as a cultural site both traditional and modern, profound yet welcoming, and as a platform where technology, arts, humanities and life are innovatively harmonized.

 

The Wall Music/ Korner

THE WALL MUSIC這牆音樂,始於2003年,原本只是幾個音樂人大膽構想的魯莽行動,至今卻延燒全台,在台北、高雄、宜蘭打造出三間風格獨具的表演場所,並催生搖滾迷第一指名的「野台開唱」、「大港開唱」音樂祭,除了樹立樂團風潮,確立表演空間與市場,THE WALL MUSIC更提供無以數計飢渴的音樂靈魂持續養分,開拓音樂產業未曾想像過的 LIVE 狂潮!!

THE WALL MUSIC was founded in 2003 as an adventurous gamble by a few individuals who really cared about music, and now it has grown to become a major cultural force throughout Taiwan. We have established top quality live houses in the three cities of Taipei, Kaohsiung and Yilan and produced Taiwan’s top music festivals in Formoz and the Megaport Festival. Through these activities, we have built up an environment for live performance, cultivated audiences, and greatly expanded Taiwan’s market for indie music. For Taiwan’s increasingly ravenous music fans, THE WALL MUSIC is a staple in the rock-n-roll diet. Its efforts have unleashed a passion for live performances that Taiwan’s mu sic industry never thought possible.

 

 

國際合作單位 INTERNATIONAL COLLABORATION
 

波蘭調解雙年展/ MEDIATIONS BIENNALE

http://mediations.pl/biennale/

波蘭調解雙年展是目前在東歐最大的雙年展,也是在波蘭最大型的視覺藝術活動。其在歐洲的中心位置,在多種文化的交匯點,使得它能夠承擔起亞洲和歐洲之間的調停角色。波蘭的地理位置,在兩大洲的交匯點,激發這種獨特的文化視角發展,與西歐的後殖民主義不同。中歐藝術是各種相互影響的結果:社會,歷史,民族,宗教,文化和審美觀。處於歐洲主要趨勢的邊緣,它成功地產出全新的藝術現象和宣言。雖然,要談論中歐藝術作為一個獨立及連貫的現實是相當困難的,與它的每一次相遇都將再度引起迫切需要為它正名的獨特現象,所以這也深深紮根於該地區的現實面。此悠久的調解傳統也逐漸催生出調解雙年展,這可以追溯到1989年,當時名為「文明與文化」的一場研討會及一系列的國際展覽在波茲南舉行。一年一度的國際內部空間「內在空間藝術節」Inner spaces 的藝術節,起源於1993年,成為後來展覽的起始點:亞歐中介「歐亞調和藝術節」ASIA-EUROPE MEDIATIONS,在2007年舉辦。這場展覽催生了第一屆的調解雙年展於2008年在波茲南國家博物館、ZAMEK文化中心及許多波茲南畫廊舉辦。多年來,調解雙年展已經成為在波蘭和國際上眾多藝術展覽中的其中一個重要指標,從而吸引許多世界知名的各國策展人、藝術評論家以及優秀的藝術家們。在2012年,波茲南有幸舉辦亞歐會議(亞歐會議)ASEM conference (Asia Europe Meetings)。此會議舉辦地點的決策關鍵原因為同時間此城市將舉辦調解雙年展。此活動的盛大開幕也有幸地邀請到48位來自歐洲及亞洲國家的文化部長們共襄盛舉。

The Mediations Biennale draws on the tradition of the Inner Spaces Festival (initiated in 1993), as well as exhibitions organised in the countries of Asia, America and Europe. It also calls upon Asia -Europe Mediations (Poznań, 2007), an event which featured artists from 23 Asian and 21 European countries.Mediations Biennale is a presentation of the latest achievements in art, concentrating on a dialogue between different cultures of the world and artistic explorations of creators from Central Europe. Through relating to the historical and cultural experience the Mediations Biennale wants to offer a different platform, different sensitivity, and a different perspective in the perception of global processes.The first edition of Mediations Biennale took place in 2008 and featured over 240 artists. The event comprised 16 exhibitions shown in several exposition spaces in Poznań. The core of the programme consisted of three exhibitions curated by Yu Yeon Kim, Lóránd Hegyi and Gu Zhenqing. Main idea of the Mediations Biennale is mediation, a dialogue between different cultures of the world, based on the experience and exploration of the culture and art of Central Europe.

 

日本中之條町雙年展/中之条ビエンナーレ/ NAKANOJO BIENNALE

http://nakanojo-biennale.com

活動主要由中之条町 雙年展實行委員會 、中之条町 雙年展運営委員會主辦,公益財團法人Pola美術振興財團 、公益財團法人福武財團 、公益財團法人野村財團 、公益財團法人朝日新聞文化財團贊助。在離城市的不遠處 有一個被壯麗大自然所環繞的美麗小鎮,一座田園風光景色覆蓋著晨露、充滿氣氛與歷史的溫泉村、木製校舍,被困在時間和老舊農舍裡。在這繁華的世界與複雜人際關係裡,這山村的風光被遺留在此。藝術家們在這片土地上生活及創作,並建立自己的平臺,許多新的人際關係即將誕生。一場由藝術家們和當地居民們一同創作的大型藝術盛會, 今年邁入第10年的第六屆雙年展活動,將從溫泉街到木造校舍與町內各處,展示著總計156 組以上的各國藝術家作品,另外同時也將舉辦以戲劇、肢體動作等為主的表演、工作坊、市集等活動。

There is a beautiful town surrounded by magnificent nature not very far from the city. A rural landscape covered with morning dew, atmospheric historical onsen (hot spring) villages, wooden school buildings trapped in time and old farm houses. Mountain village scenery left behind in a bustling world and a life full of personal connections. Artists live and create on this land and make their own platforms, many new human connections will be born. A big art event with creations by artists and local residents, “The 6th Nakanojo Biennale” will begin soon.

 

英國萊斯特藝術中心/ Phoenix Leicester Independent Cinema, Art Center

https://www.phoenix.org.uk/

萊斯特電影、藝術文化中心是一個慈善機構,在的兩個現代電影的螢幕廳,展示許多類型作品從小預算的獨立電影到最新的好萊塢大作電影,並定期安排藝術結節和相關活動。定期更新的藝術節目介紹當地和國際藝術家,教育工作幫助所有年齡層的人了解和創造屬於自己的電影和藝術。在電影、藝術文化中心,我們相信電影和藝術有能力改善我們的生活。觀看電影或參觀畫廊可以娛樂和啟發我們,為我們的生活和其他人的生活提供新的視野。電影、藝術文化中心可望成為特別體驗的地方 - 這就是為什麼我們努力工作,以確電影、藝術文化中心是一個每個人都可以感受到歡迎和靈感的地方。本次藝術節期間將邀請Phoenix與Videoclub 合作帶來放映單元並由獨立策展人王文琪共同合作策劃。

Phoenix is Leicester’s centre for independent cinema, art and digital culture. We are a charity.
In our two modern cinema screens we show everything from micro-budget independent films to the latest Hollywood blockbusters, and we regularly organise festivals and events. Our regularly changing art programme presents work by local and international artists, and our education work helps people of all ages to learn about, and create their own, film and art. At Phoenix, we believe film and art have the power to enhance our lives. Watching a movie or visiting a gallery can entertain and inspire us, offering new perspectives on our lives and those of others. They deserve to be experienced somewhere special – which is why we work hard to ensure Phoenix is a place everyone can feel welcome and inspired. If you fancy a drink, dinner or somewhere to meet friends, our Café Bar is open all day serving freshly-cooked food, and drinks you can take into our cinema screen if you wish. For many customers, our staff make the difference. With a clear passion for our work, you’ll find many are studying film or art locally, or involved in the wider creative community Phoenix attracts.As a local charity, all our earnings go back into developing our creative programmes, enabling us to reach out to more people.

英國倫敦影像俱樂部/ Videoclub

http://www.videoclub.org.uk/

2005年由Laura Mousavi-Zadeh, Ben Rivers and Jamie Wyld所建立。 Jamie Wyld為總監與策展人。意圖是要支援藝術家,透過展示新藝術家的電影、錄像和影像創作給觀眾,增加公眾參與藝術家的與影像,並創造與當代藝術作品一樣的評論的機會。

影像俱樂部過去聯合了英國和國際巡迴節目、展覽和委託製作。相關合作過的組織包括︰倫敦白教堂畫廊、諾丁漢當代藝術、FACT、英國CCA格拉斯哥、英國Fabrica布萊頓,曼徹斯特華人當代藝術中心、英國雪菲爾德Showroom、香港Videotage,香港奧沙畫廊貝爾格勒ApsArt藝術中心、德國漢堡A Wall is a Screen、華盛頓特區Hillyer藝術中心、洛杉磯回聲公園電影中心、舊金山ATA 影展、亞利桑那州土桑Exploded View、和西雅圖國際影展等。

Our intention is to support artists, by showcasing new artists’ film, video and moving image work to the public to increase public engagement with artists’ moving image, and to create opportunities for critical engagement with contemporary art work. Our work combines national and international touring programmes, exhibitions and commissioning. Organisations we have worked with include: Whitechapel Gallery, Nottingham Contemporary, FACT, CCA Glasgow, Fabrica (Brighton), Centre for Chinese Contemporary Art (Manchester), Showroom (Sheffield), Videotage (Hong Kong), Osage Gallery (Hong Kong), ApsArt Centre (Belgrade), A Wall is a Screen (Hamburg), Hillyer Art Center (Washington DC), Echo Park Film Center (LA), ATA (San Francisco), Exploded View (Tucson, AZ) and Seattle International Film Festival. videoclub was established in 2005 by Laura Mousavi Zadeh, Ben Rivers and Jamie Wyld.

 

奈及利亞拉哥斯錄像藝術網路組織/ Video Art Network Lagos

http://www.vanlagos.org/about.html

錄像藝術網路組織拉哥斯(VAN Lagos)是拉哥斯當地新媒體藝術組織,由藝術家Emeka Ogboh、Jude Anogwih和文化製作人Oyindamola Fakeye的合作努力所建立的。該組織的目標是發展教育和公共節目去促進和創造新媒體藝術意識在拉哥斯。透過當下與新興的新媒體藝術家所進行策劃放映和展覽實現。

The Video Art Network Lagos (VAN Lagos) is a Lagos based New Media art organization, established by the collaborative efforts of artists Emeka Ogboh, Jude Anogwih and cultural producer Oyindamola Fakeye. The organization’s objectives are to develop educational and public programmes that promote and create new media art awareness in Nigeria. This is realized through curated screenings and exhibitions of both established and emerging New Media artists.​

 

西班牙當代數位媒體藝術節/ MADATAC International Festival of Contemporary Audio-Visual & New Media Art Technologies

http://madatac.es/

MADATAC 當代新媒體藝術與前衛科技影音藝術節,每年於西班牙馬德里大規模進行一連串國際性的藝術節活動,包括每日的錄像藝術放映、競賽單元、互動錄像裝置展覽、藝術家座談、研討會、藝術相關的演講及圓桌辯論、美學及科技、影音表演、專題討論會、思考及回饋論壇等,希望透過多元的呈現,鼓勵觀眾參與影音藝術、錄像藝術、數位新媒體藝術文化,並在專業的合作計畫中推廣知識交流,就像是一個集體實驗室,讓錄像及影音科技藝術在此得到最新的交流與融合。馬德里數位科技影音藝術節致力於展示、推廣錄像藝術與音像藝術,並期望新媒體藝術能以多元的方式展現,無論是影音互動、裝置、實驗電影、擴延電影等任何表現形式皆可向公眾展現新媒體藝術的精神,數位科技影音藝術節也希望藉此提供藝術家們一個展現新媒體藝術的平台,一個能激發、展現新創意,能跳脫傳統桎梏的新場域。舉辦主場地位於市中心的歷史建物市政府西貝勒斯宮殿、希古洛藝術中心。

MADATAC is an independent and non-profit international springboard, with an cultural diversity approach for cutting edge experimental and new media audio-visual culture, that particularly values innovation, originality and risktaking art projects. From the beginning MADATAC identified itself as a digital audio-visual and new media festival, that takes the pulse on what is new in the international ever-changing new moving digital image and audiovisual scene. This unique and leading event take's place in Madrid (Spain) each January within the city Mile of Art, and on each edition put forward an attention-grabbing and inspirational theme, along with daily screenings of video art and digital; competitive sections; exhibitions of interactive video installations; open discussions with artists; seminars, lectures and round-table debates related to art, beauty and technology; audio-visual performances; workshops; thinkthank forums; video art auctions and multiple awards. MADATAC objective is to encourage the participation of citizens in the fields of audiovisual digital art and new media art culture and to promote the exchange of knowledge between professionals with collaborative projects which serve as a collective laboratory were digital artists can present their most recent creations to the greater public, critics, commissioners, scholars from university institutions, curators, collectors, institutions and companies, as well as other trained members of the community. This intended to support and spotlight rising investigations, research work and papers on this field employing new technologies, awarding creative excellence of artists who best fuse in a single work technology and imagination and challenge conventional cinematic narratives, in order to build worldwide networking intercultural bridges between regions, artists and organizations overturned towards the most transforming future art.

 

俄羅斯Now&After 國際錄像藝術節/International Video Art Festival Now&After

http://now-after.org/eng/

Now&After國際錄像藝術節組織由Now&After媒體藝術中心支持運作。在文化、國內不同地區間與國際的交流領域上活躍地進行推廣。Now&After國際錄像藝術節為每年一次的活動,在俄羅斯莫斯科舉行。藝術節是從2011年開始,由發起人Marina Fomenko同時也是藝術節總監和策展人。Now&After國際錄像藝術節主要聚焦在呈現、發展和推廣俄羅斯與國際的錄像藝術,一同將世界各地新興的和知名的藝術家作品呈現給一般觀眾。藝術節過去在許多不同場地舉辦例如:莫斯科現代美術館Moscow Museum of Modern Art 、莫斯科古拉格歷史博物馆State Museum of GULAG History、莫斯科師塞謝夫國家建築博物館Schusev State Museum of Architecture、莫斯科達爾文博物館State Darwin Museum 等場地。藝術節呈現的節目包含播映與展覽,除了俄羅斯國內不同城市還有國外藝術節交流,在義大利、德國、日本、希臘、西班牙、印度、墨西哥、衣索比亞、祕魯、瑞典等國。本次藝術節期間串連之另一平行活動,將呈現一系列展覽放映節目,由Now&After提出構想策劃。

International Video Art Festival "Now&After" is organized and promoted by an independent non-profit  organization Media Art Centre "Now&After". It pursues activity in the field of culture, development of domestic interregional and international communications in the media art sphere. International Video Art Festival "Now&After" is an annual event in Moscow, Russia. "Now & After" started in 2011, the author of the project is  Marina Fomenko. who is the festival's founding director and curator. "Now&After" focuses on the presentation, development and promotion both Russian and international video art, getting together emerging and established artists from around the world to present their works to general audience. "Now&After" takes place at museums’ venues. Within a few weeks all festival’s videos are shown in an integrated space of a video installation. Addition to the total show, every day a new video of the festival’s program is presented as a video installation "Video Now". In 2011 - 2013 "Now&After" was held at Moscow Museum of Modern Art; in 2014 - at The State Museum of GULAG History, in 2015 -  at The Schusev State Museum of Architecture. The festival presents its programs both as screenings and exhibitions in Russia and abroad.

 

阿根廷影像詩歌藝術節/ VideoBardo International Videopoetry Festival

http://www.videopoesia.com/

「VideoBardo International Videopoetry Festival」,總部設在阿根廷布宜諾斯艾利斯,成立於1996年,已有二十年歷史的國際影像詩歌藝術節,也是一個國際巡迴的藝術節,已巡迴至18個國家。每年11月中舉行,曾在2012年期間以探索主題“我們是地球”巡迴至世界各地的城市,透過影像詩歌、視覺圖像和語言等創造性融合媒材。至今2016年持續在不同的城市和地方串聯舉行。VideoBardo 是以影像詩與實驗詩為出發點,我們了解Videopoetry 影像詩歌藝術節中,包含所有影音作品,其中語言的「文字、字母、演講、口說、寫作和符號」為主要角色或俱特殊的轉換處理。因此,這三個領域:動態影像、聲音和口說語言、對白一同創建了第四現實,這就是所謂的影像詩歌藝術。在影像詩歌中,口頭語言在視覺、聲音、肉體和物理範疇中被體驗。本次藝術節期間將串連另一平行活動,將呈現一系列展覽放映節目,由VideoBardo提出構想策劃。

VideoBardo International VideopotryFestival, was founded in 1996 and has appeared in important venues in 19 countries. We understand for videopoesía, any audiovisual work in which the poetic verbal language have the leadership. So the moving image, sound universe, and the poetic and experimental verbality are a dialogue in a whole harmony. We also understand that videopoetry exceeds the own video's technology and can be presented in different formats as cinema, electronic poetry, audiovisual performance, installation, precarious projectors, laser, moving holography, fire and shadows, etc. We bring to the Festival Osmosis a selection of Argentine videopoetry. The criterion is to present different aesthetics and styles, in this case in single-channel mode.