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 展覽單元 Exhibition programs

阿根廷國際影像詩歌藝術節展覽單元/ Exhibition programs of VideoBardo International Videopoetry Festival

策展人/ Curators : Javier Robledo, Marisol Belusci.

8 月 25日 (FRI)– 9月 3日(SUN) 10: 00 – 17:00 /現場售票 (週一休館 / Closed on Mondays)

地點/ Location: 孫運璿科技‧人文紀念館/ Sun Yun-Suan Memorial Museum
 

藝術家/ 作品/ Artists/Art works:

Marisol Bellusci,Secuencia,Length 01:34,Year 2014

Alejandro Fontana,TodoSobre,Length 03:15, Year2009

Ileana Gomez Gavinoser,Cosmos en Formación,Length03:10,Year2006

Ignacio Mendía,Parasitopollillacorazón,Length 02:40,Year 2012

Javier Robledo,Diógenesfortuito,Length 04:18,Year 2009

8 月 26日 (SAT)– 9月 3日(SUN) 11: 00 – 17:00 / 免費參觀

地點/ Location:台電板橋新民大樓1樓/ 1F- Shin Min building 

開幕/ Opening: 8/26 (SAT) 13:00 pm

藝術家/ 作品/ Artists/Art works:

Rodrigo Etem,St III / ser cosa,Length 01:11, Year2014

Las Dominguez de Ramos,Templanza,Length02:12,Year 2016

Juan Miceli,Kaosensamble,Length 01:52,Year 2013

MaríaPapi,La caracola,Length 06:06,Year 2014

Luis Saray,Titivillus and the virgins,Length 1:10,Year 2015

SilvinaSperling. Bilingual dueto,Length 06:14,Year: 1994

Melisa Aller,VALOR DE USO / VALOR DE CAMBIO,Length 04:00,Year 2013

Marisol Bellusci,Deben saber,Length 01:00,Year 2015

Miguel Gonzalez,MOUNSTRO_TEXTO, Length 6:19,Year 2016

Carlos Martins,Exploración de los signos,Length 02:50,Year: 2016

Mariana Mattar,Azar,Length 03:54,Year2014

MartínPintus,This video does not exist,Length 2:09,Year 2014

Javier Robledo, P-O-E-S-I-A,Length 05:06,Year 2007

Sebastian Semino, Intruso,Length 03:25,Year 2014

Ernesto Baca /  PipoLernoud,Tierra queanda,Length 01:44,Year 2010

Ernesto Baca /  PipoLernoud, Las cosascompuestas,Length01:33,Year2010

簡介/ Introduction

VideoBardo 國際錄像詩節,成立於1996 年,已在19 個國家的重要場館展出過。我們理解 videopoesía – 錄像詩 - 由詩的語言主導的任何影音作品。移動影像、聲音領域以及具詩意和實驗性的口語表達出一個和諧的對話。我們也了解,影像詩超出了錄像本身的技術,且能以電影、電子詩歌、影音表演、裝置、投影機、雷射光、全息影像、火與影子等不同方式呈現。本次我們為Osmosis 滲透藝術節帶來阿根廷的影像詩,以單頻道模式呈現不同的美學和風格。

VideoBardo International Videopotry Festival was founded in 1996 and has appeared in important venues in 19 countries. We understand for videopoesía, any audiovisual work in which the poetic verbal language have the leadership. So the moving image, sound universe, and the poetic and experimental verbality are a dialogue in a whole harmony. We also understand that videopoetry exceeds the own video's technology and can be presented in different formats as cinema, electronic poetry, audiovisual performance, installation, precarious projectors, laser, moving holography, fire, and shadows, etc. We bring to the Festival Osmosis a selection of Argentine videopoetry. The criterion is to present different aesthetics and styles, in this case in single-channel mode.

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